My mixed-media artwork is comprised of a variety of painting techniques and paper collage. Each piece is a reflection of my experience as a multicultural, multiracial woman, illustrating my blended cultures of West Africa and the United States. My creations tell stories of identity and humankind, and is full of concepts that shape the individuality of black people today, as I explore black feminine identity intertwined with West African and American history and how it co-exists in our present day.
Malian-American Artist Penda Diakité grew up between Mali, West Africa and Portland, Oregon. Her mixed media work is usually comprised of a mixture of collage, acrylic, rubber, and oil among other mediums. She meshes the vibrant colors and patterns of her Malian heritage with influences of her urban American upbringing. Her artwork is a reflection of her experiences as a bicultural woman, her blended cultures, and is a visual commentary on historical West African tradition and how it co-exists among popular media’s portrayal of people of color.
She was first introduced to painting as a 4-year old in Mali, as she learned traditional bogolan (mud-cloth) painting. By the age of 10 she landed a book deal with Scholastic Press and published her first Africana Award-winning Children’s book I Lost My Tooth in Africa which was featured on various platforms such as Reading Rainbow. This book was the catalyst for creatively expressing her identity, and delving deeper into the life she straddled between Mali and the USA.
Penda graduated California Institute of the Arts with a BFA in Film/Video and a minor in Cultural Studies. While earning her bachelor of fine arts, she developed her unique mixed media collage style which, like her film work, centers around identity. Following her experimental film shorts, Diary of Reflection (2013) and Words From A Silence (2014), which screened in festivals throughout the world, Penda began exhibiting her artwork in different galleries on the West Coast.
In 2018 she was awarded the “Dean Collection 20” grant from Swizz Beatz and Alicia Keys, with which she had her solo exhibition Made In America, a body of work centered around what it means to be black in modern day America.