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Artist Biography
Penda Diakité (b. 1992, Portland, Oregon) is a Malian-American visual artist, author, and filmmaker raised between the United States and Mali. A child of two artists—her father a ceramicist and storyteller, and her mother a sculptor—she was immersed in traditional Mali arts from an early age. At just four, she was introduced to bogolanfini (mud‑cloth) painting, and by ten authored the Africana Award‑winning children’s book I Lost My Tooth in Africa, marking an early start of her storytelling through art. She earned a BFA in Film/Video with a minor in Cultural Studies from CalArts (2010–14), where she formulated her distinctive mixed-media collage style—melding traditional West African painting techniques, hand engraving, acrylic, oil, and paper collage. Today, Diakité lives and works in Los Angeles, with a rich portfolio spanning gallery exhibitions, film screenings, and collaborations with institutions like the Lakers, Forbes, and PBS. From childhood mud‑cloth painting in Mali to international art and film exhibitions, Penda Diakité’s artistic journey is one of self‑exploration, cultural storytelling, and identity affirmation. Through her bold aesthetic and historical research, she amplifies voices of women and communities often overlooked—creating visual narratives that inspire, educate, and unite.
Artist Statement
My work is a celebration of the African diaspora—a vivid tapestry woven from history, memory, and imagination. I create to explore the intersection of tradition and modernity, femininity and power, displacement and belonging. Using mixed media collage, painting, and film, I merge ancestral West African aesthetics with contemporary narratives, placing the Black experience—especially that of women—at the center of my visual language.
Raised between Mali and the United States, I was shaped by two worlds. This duality fuels my process. I draw from Malian textiles, symbols, and oral traditions, infusing them with pop culture and street art influences. The result is a layered storytelling—rich in color, rhythm, and cultural reference—that challenges colonial gaze and reclaims representation.
My art is rooted in empowerment and reclamation. I aim to create imagery that reflects our strength, beauty, and complexity—not through idealization, but through truth. Each piece is a portal—a way to honor where we come from, while imagining the futures we deserve.
— Penda Diakité
Artist Exhibitions
Works Available

Sama Ni Koro-kara
(The Elephant and the Tortoise), 2025
Collage, Acrylic, Mosaic, Hand Engraving Sealed on Wood Panel
60 x 48 in | 152.4 x 121.92 cm
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OTHER AVAILABLE WORKS
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Ba, 2025
Light box. 1 of 1.
30 x 40 in | 76.2 x 101.6 cm
$5,000 - SOLD
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N'na, 2025
Light box. 1 of 1.
26.5 x 40 in | 67.31 x 101.6 cm
$5,000 - SOLD
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Press
IN THE PAINT — Artist Spotlight
Jennia Fredrique Aponte
Jennia Fredrique Aponte, an artist from Gary, Indiana, pays homage to Black dancers and forgotten icons through intricate paper mosaics. Using rare, recycled, and handmade paper collected from her travels, Jennia crafts each piece to honor ancestors and envisions a future of inclusivity and joy.
Events

International Debut
Meet us in Paris. We’re excited to announce that Art Melanated is making its international debut at the 10th anniversary of AKAA (Also Known As Africa) @akaa_fair Art Fair this October in Paris. As the only U.S. gallery selected to exhibit, we’re bringing the brilliance of our community to the global stage—and spotlighting a very special artist. Jennia Fredrique Aponte @jenniafredrique will present her first solo international exhibition, debuting her breathtaking new series: Clockwork Academy: School for Girls. Set in an alternate 1888, this visionary body of work reimagines Black girlhood at the height of the Industrial Revolution—where invention becomes identity, and sisterhood becomes power. 📍 AKAA Art Fair – Carreau du Temple, Paris 🗓 October 24–26, 2025














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